The New Jerusalem Bible (NJB)

•p. 7: “…modern study of these books (the Pentateuch [the first five books of the Old Testament]) has revealed variations of style, and repetitions, and contradictions in the narrative, which make it impossible to ascribe the whole work to a single author.”
        If this is true, this is a complete killer to the idea of a bible code.

Update: Saturday, January 5, 2008 9:34 PM
•See Cracking the Bible Code for my more recent thoughts on the Bible code subject.

The Bible Code

•As absolutely astonishing as this letter-skip Bible code is, I am convinced that there is more even underlying that. There are many ways to encode text.

•I must know if there are ancient Egyptian texts—the Book of the Dead, perhaps?—that show the same sort of coding.

•p. 31: no. No, no way, absolutely not, no. I have had no problem with anything up to this point—there was nothing to have a problem with. It was all facts, no opinion—except with the authors’ opinion that Rabin’s murder could have been averted—which is the same issue I’m addressing here.
        Einstein—“The distinction between past, present, and future is only an illusion, however persistent.” Hawking—“Time travel might be within our capabilities in the future.” NO. Time travel is not theoretically impossible like creating matter or energy, it is logically impossible, like Mike (tho’ I disagree) says the sort of prophecy exhibited in the Bible code is, or like, if I understand it properly, Einstein says travelling faster than light is.
        No amount of change in our understanding of the Universe changes logic. What we call Time is merely duration, and duration is only change. Time I suppose, is simply the measurement of the rate of change versus some other rate of change (change being relative movement).

Update: Saturday, January 5, 2008 8:51 PM
•See Cracking the Bible Code for my more recent thoughts on the Bible code subject.

•The discussion on Time is a little confusing. How I would say that now is that Time (or time; I’m not making a big deal about the capital letter) is a measurement of relative change, in the same way that Distance is a measurement of relative position.

Story Idea

I just had an idea which would make an excellent—nay, superb—story. I was thinking about the effectiveness of capital punishment (while reading Brian Aldiss’ “Danger: Religion!”) and considering the fact that liberals (not to be denigrating; I was a liberal for many years) claim that statistics show that capital punishment does not deter capital crime. But they never explain why this should be so. I don't think they know. In fact, I don’t think anyone knows what would be a successful deterrent. The problem is that those who make laws for criminals are not criminals themselves and don't know what motivates or deters them. I don’t think anyone knows. I mean, you could ask the criminals what would work, but although this may provide some insight into the criminal mind, the vast majority of criminals are not very smart, and those that are would probably lie to you. So the only real way to find out would be to become a criminal yourself. I imagined myself going out, committing crimes—robberies and such—possibly with a gang of some sort, and coming “home” at night and writing down my feelings and thoughts. I imagined killing a policeman, and writing down my feelings of regret. This, along with notes from speaking to other criminals, would be compiled into a scholarly work of sorts. Of course, a collaboration of some kind would probably have to be established with a mainstream sociologist, who would present the work as his own, compiled from interviews with me and others. Otherwise, it would never be taken seriously. After all, who listens to criminals?

Just remember, make this a work of imagination, not of fiction. Imagine what you would do and write it down.

Historical writings

        Histories should be divided into two parts (not necessarily in the same work): narrative history and factual (factal?) or evidential history. The former is normal history: telling a tale, piecing together of facts within a framework of tapestry to weave a coherent and interesting story.
        The second or evidential history is a far more rigorous, scientific document. It delineates the facts gathered, the conclusions reached, the connections between, and—most importantly—the entire evidential chain back to its original sources, so that no conclusions are based on others’ data or conclusions without an understanding of how they reached their answers, so as to point up where errors may gave occurred, and to be able to understand not only the lineage and origins of the data (in order that the reader might draw her own conclusions) but also its degree of sureness and veracity at every point, thus giving first an indication of the likely accuracy of the current conclusions, and second a way of making apparent what of the conclusions must be called into question if any of the sources are proven wrong, without invalidating the entire work.

I also believe that history writers, after completing their research, should read a book of their favorite fiction, or perhaps Zen and the Art of Motorcycle Maintenance—which does an excellent job of expository philosophy while reading like a good novel—before writing their narrative history, so that they won’t write sentences like the above.